
On Saturday 10 October, dalang across Bali opened their puppet chests, set offerings before the wayang and sprinkled holy water over the gamelan that would play beside them. It was Tumpek Wayang, the day we, the Balinese, bless our shadow puppets and the arts they carry.
Tumpek falls six times in our 210-day Pawukon calendar, always on a Saturday, and each one honours something that sustains us: metal tools, plants, the ancestors at Kuningan, music, animals and, last of all, the puppets. On Tumpek Wayang our prayers go to Sang Hyang Iswara, who is honoured as the source of the arts.
A dalang’s puppets are not props. Cut from buffalo hide, painted by hand and kept in a wooden chest called a kropak, they are treated as sacred, and every performance begins with prayer. On this day the puppets, the gamelan, and the masks and costumes of dancers all receive offerings and holy water, so that the stories they tell keep their power.

The week of Wuku Wayang is considered spiritually charged. A child born during it is traditionally purified in a ceremony called Sapuh Leger, in which a dalang performs the story of Bhatara Kala, the fearsome son of Shiva, and blesses the child with holy water made during the performance. Many families still hold it, sometimes years after the birth.
Wayang kulit is still performed at temple ceremonies, and for visitors at evening shows in and around Ubud. An oil lamp throws the puppets onto a white screen, a gender wayang ensemble keeps the rhythm, and a single dalang voices every character. Watch the shadows first, then walk round to the dalang’s side to see the craft up close.
The next Tumpek Wayang falls on Saturday 8 May 2027.
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